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He kept a framed photograph of his hero, Benito Mussolini, on his massive desk and had his office decorated to look like Il Duce’s.The reporter James Bacon, fresh out of Chicago, was assigned to cover Hollywood for the Associated Press back in 1948. He used to fire people all the time—usually on Christmas Eve.”Henri Soulé, the owner of Le Pavillon and La Côte Basque in New York, detested Cohn and considered him a déclassé Hollywood hood.That night would be the first and virtually the last time that Kim Novak and Sammy Davis Jr. At the heart of their star-crossed affair was one of Hollywood’s sacred monsters: the notorious Harry Cohn.
The director George Sidney, who made all with Novak at Columbia Pictures, became one of Cohn’s most trusted intimates.
threatened to become a national scandal on the eve of America’s long struggle for civil rights.
It started in 1957 at Chicago’s most famous nightclub, Chez Paree.
He ran Columbia Pictures as if it were a family business, and in a way it was, because he had wrangled control from his brother Jack, who was back on the East Coast in New York.
By the mid-1930s, Cohn had nurtured Columbia from a low-rent, B-movie studio on Hollywood’s “Poverty Row,” a block off Sunset, into a major Hollywood film studio.